In the aftermath of the nuclear war, the democratic Alpha League struggle to rebuild civilisation and maintain law and order. Their existence is threatened by groups of well-armed renegades and the conflict turns on which side will be able to acquire new sources of gunpowder…
No-one travelled into the atomic wasteland more often that Pilipino director Cirio H Santiago. Even more than a decade after Mel Gibson hit it big as ‘The Road Warrior’ (1981), he was still making the trip. This time out our small budget ‘Mad Max’ is Aussie martial-artist Richard Norton (again!) who dispenses post-apocalyptic justice via his considerable brawn and arsenal of automatic weapons. But, unusually, instead of just focusing on him, we get two heroes for the price of one, and we spend a fair amount of time in the company of each on his solo adventures before they join up for the big finish.
Typically, Norton is the lone wolf, who doesn’t want to get involved. Everyone is an enemy to him, until a skirmish goes bad and he is nursed back to health by the mysterious Lani Lobango in her native village. This ‘lost’ kingdom is conveniently located in a thriving rainforest that has somehow escaped the holocaust (as rainforests do) and just happens to be sitting right slap-bang on top of a pile of explosive black powder. Of course, the Head Man wants nothing to do with Norton or his violent ways, until the villainous William Seis and his black-clad associates come a-calling.
ln the other narrative strand, we follow good guy soldier Talbot (Blake Boyd), whose homecoming is rather spoilt when the wife (Brigitta Stenberg) is kidnapped by unscrupulous warlord Hoghead (Rick Dean). Boyd infiltrates the tyrant’s gang, a process which involves a rather impractical ‘fight to the death’ while swinging from ropes. The Thunderdome it ain’t. Stenberg is worth it, though, as she’s not just eye-candy, getting free on her own and icing one of the main villains with a car. She does hand the wheel to Boyd afterwards, though, which is a bit disappointing, and not a great tactical move when you’re desperately trying to escape from a gang of well-armed cut-throats.
This was a Roger Corman production, so it’s highly likely the split narrative was down to cost-cutting. Perhaps two crews were shooting simultaneously, as they used to do for old movie serials, or perhaps it was down to the availability of the actors, or other filming logistics. Surprisingly, some of the scale is quite impressive, especially in terms of the number of extras dodging flash grenades and jumping off rocks in the battle scenes.
At least it is until you realise that a lot of it is just footage from the director’s own ‘Wheels of Fire’ (1985) and ‘Equaliser 2000’ (1987). To be fair, it’s not that obvious, although it probably helped that both Norton and Seis originally appeared in the latter of the two older films!
Norton certainly had some good moves, and the (sadly) brief combat scenes where he uses them are the best thing in the picture. These days he’s working in Hollywood as a stunt man on such major projects as ‘Suicide Squad’ (2016) and ‘Ghost ln The Shell’ (2017). Rather brilliantly (and perhaps inevitably!), he also appeared on screen as part of the cast of ‘Mad Max: Fury Road’ (2015).
This effort was written by old hand Frederick Bailey, who was also behind the word processor for Santiago’s ‘Future Hunters’ (1985), as well as the afore-mentioned ‘Wheels of Fire’ (1985) and ‘Equaliser 2000’ (1987), in which he also had an acting role. His story hits all the same old familiar beats, never straying far from the well-worn template for this kind of adventure. Villains only seem to have guns when it’s not inconvenient for our heroes, or simply forget to use them.
A predictable and anonymous project.