A series of plague outbreaks in Asia seem to be linked to the activities of a professor distributing vaccines. After an operative with a hot lead to the mystery is killed in Thailand, Agent OSS 117 is dispatched to Bangkok to take up the case…
This week’s ‘Bond On A Budget’ is American actor Kerwin Mathews, reprising his role as Hubert Barton from ‘OSS 117 Se Duchaine’ (1963) and running around Bangkok for returning director André Hunebelle. Only this time he’s doing it in glorious Eastmancolor! And that’s a good thing because one of the film’s main attributes are its locations and setting; the old monastery at the climax being a particularly pleasing visual choice.
The film begins with the obligatory faceless agent getting gunned down by some faceless henchmen on a Bangkok street. It’s not exactly subtle and inevitably provokes the almost immediate arrival on the scene of our suave hero. Not a great move for our mysterious supervillain. Couldn’t he at least have tried to make it look like an accident? For a change, Mathew’s actually got some back up and he visits the local office to get the low down on the situation, where he meets cool blonde secretary Eva (Dominique Wilms). They run into each other again at an embassy reception, but he’s only got eyes for exotic Lila Sinn (Pier Angeli) whose brother (Robert Hossein) is a local doctor/guru and perhaps the most suspicious character in movie history.
What follows are the usual Eurospy shenanigans as Mathews investigates; dodging bullets, punches and car bombs along the way (or his stunt double does, anyway). As usual, all he has to do is to a stare at a woman for her to come over all unnecessary (rather than consider him a creep), and his other skills include immediately hailing a cab with just a wave of his hand and getting a parking space right in front of any building he visits.
Gadgets are limited to some basic surveillance equipment, including a transmitter inside a book, and an interrogation room where he gets strapped up to some electronic gizmo. He’s also shadowed everywhere by a mysterious man in sunglasses who eventually takes a brief part in the action. Who is he? An ex-Nazi double agent, apparently. What he has to do with what’s going on? No idea.
On the credit side, our mysterious super villain does have a nice line in maniacal patter: ‘The world will end in the multiplication of being that the soil one day will no longer feed’. So there! He also has a secret underground lair, including a lab where white coated technicians inject rats with plague virus and various beakers and test tubes boil and bubble. Unfortunately, he does exhibit the usual cavalier attitude towards Health & Safety standards, and the whole thing is instantly transformed into an inferno by a couple of machine gun volleys delivered by Mathews toward the climax.
Given that a total of 8 writers worked on this, five with the adaptation and three on the script (including the director), it’s remarkable that the end result displays so little imagination and creativity. Perhaps it was a case of the ‘filmmaking by committee’ method so beloved by big Hollywood studios, which removes any individuality or interesting aspects from a project.
At 118 minutes, it’s far too long as well, and specific events often seem stretched out and slow. Apparently, there is a 92-minute cut, which, if edited so individual scenes are tightened (rather than removed entirely) may be a significantly more enjoyable experience.
Both Mathews and Angeli’s best days were already behind them; Mathews in the title roles of ‘The 7th Voyage of Sinbad’ (1958) and ‘Jack The Giant Killer’ (1962), Angeli opposite Paul Newman in ‘Somebody Up There Likes Me’ (1956). The pair reunited a few years later to fight the dreadfully awkward and crappy ‘Octaman’ (1971), the first creation of SFX and makeup guru Rick Baker. Sadly, it was Angeli’s last role; she was found dead from a barbiturate overdose at her home after the production was over. Mathews made a few more scattered appearances in the years following before retiring in 1977 and becoming a frequent guest on the convention circuit in later years. He died in 2007.
Not a bottom of the barrel spy adventure by any means, but one that requires more than a little patience from the audience.