A trio of scientists invent a disintegrating ray, which is immediately stolen by enemy assassins. One of the killers is identified by a U.N. operative in Tangiers and a special agent is dispatched to recover the device…
Eurospy films of the 1960s are not exactly noted for high levels of invention and creativity, and sadly there is nothing in this Italian/Spanish example to buck that trend. And that’s quite a disappointment actually, as it comes from director Gregg G Tallas, the man behind the ‘Is this a comedy?’ classics ‘Siren of Atlantis’ (1949) and ‘Prehistoric Women’ (1950). Sadly, there’s no evidence of the same level of entertainment here, not even a sign of the giggles provoked by his final film, the ridiculous schlock horror compendium ‘Night Train To Terror’ (1985).
This week’s ‘Bond on A Budget’ is Argentinian actor Luis Dàvila, who looks older than his 38 years, but still throws himself into the rounds of rather unconvincing fisticuffs with impressive levels of commitment. Unfortunately, he doesn’t get to run around the glamorous capital cities of Europe having conversations beside world famous landmarks, but instead is confined to the narrow streets and dusty warehouses of Tangiers and Nice.
The story never really develops beyond the all-too familiar tropes relating to the ‘weapon that must not be allowed to fall into the wrong hands’ and, of course, despite the seriousness of the situation, the authorities are quite happy to leave its recovery to just one man. The weapon itself resembles nothing so much as a battery for a mobile phone or the ‘waffer-thin’ mint fed to Mr. Creosote in ‘Monty Python’s The Meaning of Life’ (1983). Insert it into a toy pistol, however, and it makes for a great solution to parking problems or putting out the barbecue in your fireplace.
So, what about the Guns, Girls and Gadgets? Well, despite her first name, our lead actress José Creci is a slim, attractive brunette. She ends up in bed with our hero after he slaps her around a bit, in a scene that rings a few warning bells in these more enlightened times. Creci also appeared in the similar ‘Operation Poker’ (1965) but was more likely to be found in ‘peplum’ pictures such as ‘Hercules Against The Barbarians’ (1964) and ‘Goliath and the Sins of Babylon’ (1963). Here she’s competing for Dàvila’s somewhat questionable attentions with shady nightclub owner Petra Cristal, who played in ‘The Awful Dr Orloff’ (1962) for notorious director Jess Franco, and in Paul Naschy’s ‘Fury of the Wolf Man‘ (1972), among many others.
ln the film’s most curious sequence, Dàvila picks up a motorbike from outside a building and exits stage left in pursuit of the bad guys. A brief chase through the night streets follows, made up of long shots and unconvincing, gloomy close ups. Then Dàvila rides the bike back into frame, to park it seemingly outside the very same building which he left only a few minutes earlier. Perhaps the owner of the bike simply didn’t trust the filmmakers more than a few feet at a time!
Unfortunately, there’s not a whole lot more to say about such a generic, by the numbers enterprise. Perhaps Dàvila has a little more edge than some of his contemporaries, but that’s really all you can take away from this one. Does he have any gadgets? Um…no. Not really. Apart from a gun, which he uses a few times. One of the villains does have a carphone, though, and it comes with a TV screen! Some of the scenery is quite nice too.
A completely forgettable entry in the Eurospy genre.