A veteran special agent is assigned to protect a young girl who has been marked for death by a mysterious criminal organisation who work in secret from a monastery. He soon discovers that their leader is using ESP and a revolutionary brainwashing technique to further his mad ambitions…
Fast-paced Austrian/German/Italian Eurospy that features ex-Hollywood matinee idol Stewart Granger as this week’s rather silver-haired ‘Bond On A Budget.‘ Granger had some previous experience in these kind of shenanigans as the lead of ‘Red Dragon’ (1965) which often gets bundled in with this genre, although it was more of a crime thriller really. In fact, despite a new name, he is supposed to be playing the same character, as his exploits in the previous film are referenced by local Police Commissioner Rupert Davies.
The story opens mid-flight with ‘marked woman’ Karin Dor being chatted up by our handsome hero. He seems to be making progress, but can’t help noticing the flight crew heading for the back of the plane and, a few seconds later, their parachutes deploying below. How they managed to leave without compromising cabin pressure is a bit of a mystery, but we’ll let it pass. Luckily, Granger was a pilot in the war about twenty years earlier, so he’s able to land the plane with only a slight wobble. The control tower doesn’t even need to talk him down! Now, I hate to burst anyone’s bubble here, but all someone without specific training will achieve in those circumstances is to pile up on the runway (if they’re lucky enough to make it that far). Yes, I know screen personalities as diverse as Doris Day in ‘Julie’ (1955), Karen Black in ‘Airport ’75’ (1974), David McCallum as TV’s ‘The Invisible Man’ and Lou Ferrigno as ‘The Incredible Hulk’ have all accomplished the feat without breaking too much of a sweat, but it’s simply not possible. You may as well expect to manage re-entry into the Earth’s atmosphere after attending an open day at Cape Canaveral.
So some serious suspension of disbelief is essential here, and the script often does little to help the audience in that regard. There some silly business about Granger being scared of Davies’ pet snake (which he keeps in his office!) and super villain Curt Jurgens has a stable of scantily-clad babes draped all over the furniture at his HQ just because he likes the way they look. Associate Dr Yang (Luis Induni) can read people’s thoughts and turn them into mindless zombies. Although they do have to receive electric shocks and stare into an aquarium at the same time! There’s also a scene where Jurgens’ chief Lieutenant Scilla Gabel shoots off multiple rounds with her machine gun, then ‘blows it out’ and rubs the barrel of the weapon against her cheek. Now, we know her character gets turned on by pain, but burning your face off with hot metal might seem to be taking things a little too far! As it happens, it seems to have no effect on her at all. She must have thick skin, I guess.
The production also looks a little tatty here and there, but all these shortcomings can be forgiven when you consider the wonderful casting. For a start there’s Granger, still oozing Hollywood charisma in his 50s and fully committed in the surprisingly violent fight scenes. Dor went onto to tangle with the real thing in the shape of Sean Connery in ‘You Only Live Twice’ (1967) and Jurgens crossed swords with Roger Moore in ‘The Spy Who Loved Me’ (1977).
Not enough for you? Minor villain and eventual rat fodder Adolfo Celi came out on the wrong end of another encounter with Connery in ‘Thunderball’ (1965) and the lovely Molly Peters was 007’s personal masseuse in the same movie! On top of all the Bond connections, we get Klaus Kinski as a conflicted trigger man, Davies who was TV’s ‘Maigret’ and Erika Remberg who appeared with Moore on the small screen in ‘The Saint‘.
Curiously enough though, with the notable exception of Granger, the most memorable performance here is from Gabel. Her only major credits are an appearance in Joseph Losey’s misfiring ‘007’ satire, ‘Modesty Blaise’ (1966) and opposite Gordon Scott in ‘Tarzan’s Greatest Adventure’ (1959) (which featured support from a pre-stardom Sean Connery!) Here, she oozes a playful, dangerous sexuality in various tight fitting outfits, leaving little doubt about her character’s preferences and motivation. While Jurgen plots, she’s always in the background, usually stroking some inanimate object or other in a suggestive way! Although, rather brilliantly, in one scene she’s just doing her knitting!
This is quite an entertaining Eurospy if you forgive the slightly uncertain tone; the film never really deciding how serious – or silly – it wants to be. Yes, there’s a bit of an age gap between our romantic leads, but who could blame a young woman like Dor getting her head turned by the handsome Granger? After all, he’s just so damn suave and capable! If ‘Bond’ had come along a decade earlier, he would have been on the shortlist for the role. No question about it.
Good fun if you’re not too demanding.