An expedition from Earth lands on one of the planets in the Cassiopeia constellation to investigate an emergency distress signal. The ship was expected to take 27 years to reach its destination, but an accidental diversion through hyperspace means that the crew are still the teenagers they were when they left Earth, rather than the adults they were supposed to be…
Rather than a sequel to Russian science fiction film ‘Moscow-Cassiopea’ (1974), this is instead essentially the second half of that story, no doubt filmed at the same time. Boy genius Sereda (Misha Yershov) and his half dozen crewmates are now approaching their destination after the hardcore trials and tribulations of the first film, most notably establishing the identity of the girl who passed him that romantic note in class before they left. Of course, the whole point of having such a young crew in the first place was they would be in their early 40s by this point, but due to hilarious madcap stowaway Lobanov (Vladimir Basov MI) sitting on the main control panel by mistake, they’ve taken a diversion through hyperspace and arrived 26 years early.
Back home Earthside, crew member Aleksandr Grigoryev’s family are busy holding his 40th birthday party, which is promptly gatecrashed by the mysterious A.S.A. (Innokentiy Smoktunovskiy). Like in the first film, he seems to have the ability to materialise and dematerialise at will, something which doesn’t seem to faze his hosts in the slightest. It’s also convenient for the audience as we get a recap of the story so far and an explanation of Einstein’s theories on time dilation.
Eventual planetfall finds Lobanov suggesting a game of football (he’s so wacky!) while Grigoryev and Olga Bityukova carry out more serious enquiries. A couple of the locals make the scene; strange grey men in black PVC with very large flares who communicate by whistling. These are representatives of the planet’s robot overlords whose only aim is to make everybody happy.
So everything seems tickety-boo for our trio of space pioneers. They get to laugh hysterically while sitting on bouncy chairs and get free fruit juice. All a bit of a change of pace for the uptight Bityukova who wasn’t even happy earlier when Yershov decided to name the planet after her! It all seems great, except what they don’t know is that the robots’ plan for their permanent happiness involves robbing them of all human emotions and desires. Meanwhile, the last few survivors of the robot’s final solution contact the rest of our heroic crew to explain what’s going down and mount a rescue mission.
There’s far more going on in this second film than in the first part of the story, and so far less time for inane romantic complications and painful comedy. Yes, it’s still a little juvenile, but it was aimed at young teenagers so some of the lamer plot developments can be forgiven. These include robots that find riddles a fatal pastime, and a ‘nanny bot’ complete with apron and pram. On the plus side, some of the visuals are quite surreal, although the silliness of certain aspects do make it hard to take the drama seriously. A strange climax sees the reappearance of the mysterious A.S.A. Who exactly is he supposed to be, and why does no-one ever seem to question his presence? The character’s name seems to differ according to various sources as well! Something lost in translation perhaps.
It would be easy to take a hard line against this project; it’s dumb, a little puerile and never properly explores any of the dramatic possibilities inherent in the storyline. But it was designed as an entertainment for kids and, although that’s not a sufficient reason to forgive all its shortcomings, it does serve to mitigate criticism a little. The greatest point in its favour is that it’s far less aggravating than the first instalment of the story.
Not the finest example of 1970’s Soviet Science Fiction though…