The Emerald Men on the Emerald Planet send Starman back to Earth when they realise that mankind has been targeted by the evil Salamander Men of Kulimon. Their nefarious scheme is to decimate the human population with a mysterious plague and then claim the planet for their own…
We’re back in the company of Ken Utsui as ‘Starman’ in this feature cobbled together by Walter Manley Productions and Medallion Films from the Japanese children’s TV show ‘Super Giant’ from the late 1950s. He was the Far East’s version of Superman, complete with a silly costume and cape, super strength, and the ability to fly. He can also detect radiation using his Globe-Meter, a nifty piece of tech that bears an uncanny resemblance to a wrist watch. His bosses on the Emerald Planet look kinda familiar too, some having been seemingly assembled from old vacuum cleaner parts, others looking suspiciously like men dressed in stitched together bed sheets with coneheads. They communicate with each other by waving their arms up and down very slowly, which is nice.
Things are looking pretty grim for the hoo-mans by the time Starman makes the scene, with large numbers apparently dropping like flies due to this strange new disease. The scientists get together around the big table to sort it all out, as they always do, only this time there are only three of them and the table appears to be more suited to a small family’s intimate dining experience. But no matter! Chief Scientist Masao Takamatsu has the two main attributes that every top researcher needs in a world-threatening crisis: a beautiful daughter (Monaka Yamada) and a dashing, young assistant (Shozaburo Date). Unfortunately, even the addition of three adorable young moppets also fails to help, and actually might be seen as an annoyance by anyone of a less charitable disposition than myself.
But what elevates this production above the other entries in the series are the Salamander Men. These Kulimonians are superb villains with a brilliant plan to spread their deadly plague across the Earth through the medium of dance! Yes, they’ve got the technology to come halfway across the galaxy, but their first step to world domination is hiring a theatre and putting on a show! lt’s either genius or completely bonkers, or possibly both.
What does become abundantly clear is that they never miss an opportunity to shake their groove thang! They also have lightning bolt halitosis, wear suits and fedoras and flip more often than the Mighty Morphin Power Rangers. One of the film’s highlights is an early fight with Starman, which looks more like a gymnastics contest than hand to hand combat! Their makeup and all over body suits are also a hoot.
By all accounts, this 75 minute feature is stitched together from 2 episodes of the TV show, and only 9 minutes of footage was cut. But, if that’s the case, why is our old friend VoiceOver Man on overtime here? He almost never shuts up with the exposition, which suggests a longer original runtime. Not surprisingly, there does seem to be a little bit of confusion as to which specific episodes were turned into the four mid-1960s features for U.S. release. Even the origin of the name ‘Super Giant’ is a bit of a mystery. After all, Utsui might have been a tall chap, but that’s going a bit far. There’s even a suggestion that the character was named after baseball team, the Yomiuri Giants!
If you’ve already familiar with ‘Starman’ then you know what to expect, but the deliciously evil Salamander Men raise it to a level that the other films in the series simply can’t hope to match.