When a top professor’s daughter is murdered, it provides confirmation that a mysterious villain is targeting the scientific community. His assassins are individuals in positions of utmost trust, programmed to obey him via a new hypnotic drug. The authorities send their best agent to bring the madman to justice…
Although it was not obvious at the time, it now seems clear that the Italian and Spanish governments signed an international treaty in the mid-1960s. Their intention was to take over the world by flooding the marketplace with endless cheap Eurospy films, thus bankrupting Hollywood and the western Military-Industrial Complex. It’s the only thing that makes any reasonable sense.
This week’s ‘Bond On A Budget’ is Canadian actor Lang Jeffries as Michael Drum, an agent so brilliant that he only thinks to check his hotel room for electronic bugs after he’s explained his plans to local police inspector Craig (Jose Bodalo). He’s also happy to accept a colleague’s prompt identification of a cyanide pill, which he makes just by looking at it. Yes, we’re back in the fairly predictable territory of low-budget spy shenanigans, with a complete absence of big set pieces, stunts, gadgets and even car chases. Most of the action here is confined to the usual fisticuffs and a couple of gun battles. After one of those, Jeffries strolls down the street and fixes a beautiful woman’s car. When she asks for the keys back, he keeps them. ‘I’ll drive’ he smirks, taking her right back to his hotel room. Why does she just smile and go along with it? Because it’s the sixties, baby! Oh, and because she’s an enemy agent, which no-one could possibly have guessed.
In its defence, at least director Mario Caiario keeps things going at a decent pace and, although Jeffries is not over-blessed with screen presence, he’s a capable enough leading man. He enjoyed a very brief career on US TV in the late-1950s before being cast opposite Rhonda Fleming in Italian muscleman picture ‘Revolt of the Slaves’ (1960). He rarely worked outside of Europe after that, playing mostly in costume pictures and more Eurospy films. He even tried his hand at science fiction; appearing as literary hero Perry Rhodan in the hopelessly tatty but rather fun, ‘Mission: Stardust’ (1967).
Elsewhere in the cast we find the lovely Erika Blanc, who brought beauty to a number of notable cult pictures in the 1960s, including Mario Bava’s ‘Kill, Baby…Kill’ (1966), and several Eurospy films like ‘Espionage in Lisbon’ (1965). She also steamed up the screen in horror ‘The Devil’s Nightmare’ (1971). She’s still working as of 2017 at the age of 75.
What lets this film down in the final analysis is the fragmentary script, which is little more than a hodgepodge of half realised ideas that were already becoming a little too familiar by the mid-1960s. Character motivation is never a major concern; the most obvious example being that of our supervillain Andrea Bosic. Why is he killing off all the scientists who are working on projects to help the human race? Well…umm…we don’t really know. He never really explains himself, beyond some vague declarations about taking over the world. He even unveils a super weapon toward the end of the film that he’s had all along but never mentioned!
Cookie-cutter Eurospy which benefits from good pacing and professionalism all round, but the only thing likely to live in the memory is the shortcomings of the script.