In the near future, alien spaceships attack the Earth fleet and the planet’s orbiting space stations. A brilliant Japanese professor revives an old project to build an intergalactic battleship to combat this deadly threat.
The global phenomena that was the original ‘Star Wars’ (1977) was welcomed with open arms by film producers from all around the world, who immediately began knocking out their own space operas to compete at the box office. Japan differed slightly in this respect as, by all accounts, the release of the movie was delayed there, to allow the homemade ‘A Message From Space’ (1978) into theatres ﬁrst. This probably accounts for the fact that this slightly earlier effort actually bears very little resemblance to the George Lucas film, beyond the laser battles in space. And there are an awful lot of those.
Apart from lots of (fairly) reasonable models shooting out multi-coloured rays, the film takes a mostly earthbound approach to its material, with a good deal of the usual clichés present and correct. There’s a lot of sitting around planning stuff, a tiresomely predictable love triangle, heroic self-sacrifice and notable world landmarks coming to explosive ends. Some of these fiery events look suspiciously similar to those in ‘The Last War’ (1961), which kind of scuppers the producer’s claim that this was the most expensive film to come out of Japan in years! But the main problem the film has is that it’s dull. Unbelievably dull.
There are a few scattered moments of interest. The aliens attempt infiltration of Earth disguised as human beings, but their masks seem to have come from a cheap joke shop as they tear easily and expose their green skin! Their mothership seems to have been modelled after a Roman galleon, complete with figurehead and what look a bit like rows of oars! Our main villain seems to be dressed as a Centurion (perhaps there was a spare uniform in the wardrobe department) and his sidekick is a pantomime Minotaur! This large actor threatens the captured heroine with a cardboard axe while she wonders why she’s suddenly wearing a very skimpy top and short shorts.
Unfortunately, anyone expecting the sort of inspired lunacy of Italian rip-offs from a galaxy far, far away, such as ‘The Humanoid’ (1979) or ‘Starcrash’ (1978) (with Hammer Scream Queen Caroline Munro, Oscar Winner Christopher Plummer and a young David Hasselhoff!) are likely to go home seriously disappointed.
This has little to offer even the bad movie fan looking for a quick giggle. Models fly about, laser beams fire, things roar when they explode in the vacuum of space, hell, you know the drill by now.
Completely disposable space shenanigans. It’s a challenge to the memory to recall much of the experience even a few hours afterward.